_____________________________________________________________

Brian Wilson and Van Dyke Parks
Orange Crate Art
Warner Bros.
9 45427-2
_____________________________________________________________

1. Orange Crate Art
(Van Dyke Parks)

2. Sail Away

(Van Dyke Parks)

3. My Hobo Heart

(Music: Van Dyke Parks/Lyrics: Michael Hazelwood)

4. Wings Of A Dove

(Van Dyke Parks)

5. Palm Tree and Moon

(Van Dyke Parks)

6. Summer In Monterey

(Music: Van Dyke Parks/Lyrics: Michael Hazelwood)

7. San Francisco

(Van Dyke Parks)

8. Hold Back Time

(Van Dyke Parks)

9. My Jeanine

10. Movies Is Magic

(Van Dyke Parks)

11. This Town Goes Down At Sunset

(Michael Hazelwood)

12. Lullaby

(George Gershwin)

_____________________________________________________________

All songs © 1995 You Call These Songs?/Warner Tamerlane Publishing Corp. BMI (except “This Town Goes Down At Sunset,” written by Michael Hazelwood, © 1975 EMI/April Music, Inc., ASCAP and “Lullaby,” written by George Gershwin. © 1963 George Gershwin Music, admin., by WB Music Corp, ASCAP. Lyrics reprinted by permission. All rights reserved.

_____________________________________________________________

Executive Producer: Leonard Waronker

Produced and Arranged by: Van Dyke Parks

Concert Masters: Sid Page and Bruce Dukov

Steel Drums: Robert Odin Greenidge

Violin Solos: Richard Green

Harmonicas: Tommy Morgan and David McKelvy

Hammer Dulcimer: Terry Schonig

Trumpet Solos: Dan Savant

Guitars and Mandolins: Grant Geissman, Fran Tackett, Ira Ingber, Dennis Budimer, Brian Otto

Electric Bass: Lee Sklar, Carl Sealove

Synth Programs: Bruce Donnelly, Ira Ingber, Martin Saunders, Mike Watts

Drums and Percussion: Bernie Dresel, Chili (Darryl Francis) Charles

Orchestration: Fredric Myrow (“Movies Is Magic” and “Lullaby”)

Background Vocals: (“Sail Away,” “My Jeanine,” “Hold Back Time,” “Movies Is Magic” and “Lullaby”) Danny Hutton, Doug Lacy, Donny Gerrard, Carmen Twillie, Arnold McCuller, David and Bob Joyce, Mona Lisa Young, Johnny Britt, Jules Greene; Bark: Clementine, The Scottie Who Knew Too Much

Recording Studios: The Bakery, Sunset Sound, Ocean Way, Ground Control Pacifique, MARS; Music Copying: Hayen Music Services, Burbank

Engineers: David Appelt, Britt Bacon, Jon Baker, Ken Deranteriasian, Steve Deutsch, Clark Germain, Murray McFadden, Brian Soucy and Andy Waterman

Mixed at Brooklyn Recording Studios by: Michael Frondelli and Ed  Cherney, Ronnie Rivera

Assistant Mix Engineer – Mastering: Wally Traugott; at Capitol Recording Studios, Hollywood

Art Direction and Design: Tom Recchion

Photography: Mark Hanauer

Art Reseacher: Sheli Jones

Editor: Liza Gerberding

Apples: Levering Orchard , Orchard Gap, Virginia

Production Coordinator: Shari Girdelstone at Savant Productions Inc., Glendale, CA;

Line Producer: Dan Savant

_____________________________________________________________

Brian Wilson Info: Endless Summer Quarterly, P.O. Box 470315, Charlotte, NC 28247; Internet address: esqeditor@aol.com

Van Dyke Parks Info: geowashbrown@earthlink.net

_____________________________________________________________

Produced and Arranged by Van Dyke Parks

To Sally, who inspired this production

The following paintings are courtesy of George Stern Fine Arts: California Landscape with Poppies and Lupines and Laguna Sea, Granville Redmond; Puerto Del Mar, Emil Kosa

The following painting are courtesy of the San Diego Museum of Art: San Diego Bay, Charles A. Fries, c. 1904, collection of Mr. Brad Delaney, La Mesa, California; Study for the Baithouse, Alfred R. Mitchell, 1938, collection of Mrs. Mary M. Sadler, San Diego, California; Nipomo Hills (Cover), Alfred R. Mitchell, c. 1950 collection of Mrs. Albert Campbell, La Mesa, California; Summer Design, Charles Reiffel, c. 1921, collection of the San Diego Museum of Art.

The following painting are courtesy of private collections: The Canyon, Alfred R. Mitchell, c. 1927; Summer – A California Woodland, Franz Bischoff, collection of Mr. and Mrs. Jon R. Stuart, The Oak, Guy Rose, collection of Thomas Gianetto; Eucalyptus and Fog, DeWitt Parshall, collection of Fleischer Museum, Scottsdale, Arizona;

Photograph of the Wilson grape ranch in the Hog’s Back Foothills, Escondido, California, 1904 (behind the CD). Courtesy of Timothy White, from the book The Nearest Faraway Place: Brian Wilson, The Beach Boys and the Southern California Experience (Henry Holt and Company). Used by permission. All rights reserved. Special thanks to Kevin Starr

Recommended Reading:

Petersen, Martin E. Second Nature: Four Early San Diego Landscape Painters

Munich: Prestel-Verlag, 1991. New York: te Neues Publishing Company, 1991

Vincent, Stephen, ed. O California! Nineteenth and Early Twentieth Century California Landscapes and Observations. San Francisco: Chronicle Books, second pressing 1992.

_____________________________________________________________

Let us now praise famous men, and, our fathers that begat us. The Lord had wrought great glory by the, through his great power from the beginning.

Such as did bear rule in the kingdoms, men renowned for their power, giving counsel by their understanding, and declaring prophesies: Leaders of the people by their counsel, and by their knowledge of learning meet for the people, wise and eloquent in their instructions: Such as found out musical tunes, and recited verses in writing; Rich men furnished with ability living peaceably in their habitations: All these were honored in their generations, and were the glory of their times.

There be of them, that have left a name behind them, that their praises might be reported. And some there be which have no memorial; who perished, as though they had never been; and are become as though they had never been born; and their children after them. But these were merciful men, whose righteousness hath not been forgotten. With their seed shall continually remain a good inheritance, and their children, are within the covenant.

_____________________________________________________________

Back to Van Dyke Parks Main Page
Back to Top